Kungliga Operan

The composer is stressed. His little opera ensemble is about to perform Ariadne auf Naxos, a grandiose opera of his own making, at the home of a wealthy man. But the very same evening a troupe of players led by the colourful Zerbinetta will also perform, and the two ensembles fight over who is to go first. The threat of cuts is driving the earnest composer to near breakdown. This is the comic prologue to the opera about Ariadne that the audience will be attending after the intermission. After Elektra and Der Rosenkavalier, the composer Richard Strauss and the librettist Hugo von Hofmannsthal were opera’s foremost duo in the first decades of the 20th century. They chose to follow up the two successes with a challenging experiment: an opera about an opera and a story about artistic creation. Ariadne auf Naxos is metafiction in its most enjoyable form, an opera that makes the audience aware of its own role in an entertaining way.

A guileless Japanese girl gives up everything to marry a lieutenant in the US Navy. But when he suddenly leaves the country, she is determined to wait patiently until he sails back into harbour. The last of Puccini’s ‘big three’ operas, Madama Butterfly is as beautiful as it is heartbreaking. Lithuanian soprano Asmik Grigorian sings the title role in this colourful production from the Royal Swedish Opera set amongst the glitz and kitsch of postwar Japan.