ZDF

In 2017, a routine archaeological dig is taking place on the site of a proposed housing development in the village of Fenstanton in the Cambridgeshire Fens. When human remains are found alongside a variety of Roman artefacts, none of the team at Albion Archaeology see anything out of the ordinary. But once the bones are washed back at HQ, something highly unusual is uncovered: a nail through the heelbone of one of the individuals. Could this be evidence of a Roman crucifixion? When they do some research, they find that only one confirmed example has ever been unearthed before, discovered in the 1960s in Jerusalem. To find out more, they call in renowned Osteoarchaeologist Dr Corinne Duhig to investigate.

If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, a 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.

12-year-old Fabi has to finally prove himself as one of the family - by getting his first scar.

The world’s most talented young pianists compete in the International Chopin Piano Competition, held every five years in Warsaw, Poland. A rare behind the scenes look at the triumphant highs and crushing lows of competition, Pianoforte is both a testament to the remarkable power of music and an intimate coming-of-age portrait.

The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.

Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.

Martin and Nicole meet each other in a train, after Martin passes out of exhaustion. After Nicole helps him, he immediately falls in love with her. One year into their relationship they decide to introduce her to Martin's children at a Christmas dinner. But it does not go well at all...

When things get too much, Franky checks into a hotel, which exists only in her head. The hotel is the home of four entirely different personalities, who alternately rule over her actions in real life.

After his wife Anara's serious car accident, Max searches for answers behind the glossy facades of Frankfurt and gets caught up in a downward spiral of intrigue. Anara is comatose but alive. The police suspect that her car has been tampered with. Max suspects his colleague and rival Patrick of being involved. Together with him and his colleague Saskia, he is pitching software successfully to a powerful sheikh. Max is cornered from all sides - even the sheikh could be part of the conspiracy. Saskia is his last ally, but she has to limit the damage to prevent the deal from falling apart. All the threads seem to converge in a mysterious club, and Max has to take drastic measures to regain his perfect life.

In recent years, the number of diagnoses of attention-deficit hyperactivity disorder has skyrocketed. What are the reasons? Does a society geared towards efficiency use the label ADHS to weed out anyone who does not fit its frames? What are the consequences of the fact that medication treatment has become almost ubiquitous? Could Ritalin and the like have become the doping of the performance society?