Les Archives de l’Art Cinématonique

The films of Marilyn Monroe, sped up by Gerard Courant.

Madrid, a stroll in the Spanish capital with Joseph Morder followed by the snowstorm that paralyzed the Paris region on December 8, 2010.

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

A cinematographic logbook around the mythical island of Alicudi in Sicily.

A cinematographic logbook around the mythical island of Alicudi in Sicily.

A cinematographic logbook around the mythical island of Alicudi in Sicily.

"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).

Courant registered Garrel’s dialogues in order to produce his first urgent film, the first of his essays inquiring the state of current cinema. As a synthesis for the 20th century, Garrel invoked his relationship with Freud, Henri Langlois, Orson Welles, Marx, The Rolling Stones, Godard, Warhol, Picasso and Bergman and draw a territory in that different kind of cinema also inhabited by Courant’s art. Four years later –as a sequel, and a first example of Courant’s series– there was another meeting with Garrel, where again the filmmaker adds names related to his sensitivity, such as Murnau, Von Stroheim, the Lumière brothers, Abel Gance, Polanski, Rivette; the writers André Breton and Gabriele d’Annunzio; and the actresses Anna Karina, Nico, Zouzou and Maria Schneider –three stars of his films. (Diego Trerotola)

On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.