MiC

Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.

A drama film based on the life of Mario Mieli, a leading figure in the Italian gay movement of the 1970s.

Antonio and Agostino grew up together in a small town in Sicily; they dreamt of living a different life, somewhere else. Now thirty-year-olds, they both live abroad but they lost touch years ago. When Antonio discovers that the house he grew up in, which had been empty for a long time, is about to be sold at auction, he decides to leave and reconnects with his childhood friend. But their lives have changed a lot. Old conflicts and new revelations bring them through Europe on a truck journey.

On their first day of work as dog sitters, Rana and Marti suffer the theft of the French bulldog who was entrusted to their care by a wealthy lady. A fast-paced comedy full of hair-raising situations with cult potential that has plenty of surprises in store. The very own world of the Roman suburbs, which is rarely honored in cinemas, is also captured convincingly.

Innocenzo is a 39 years old cistercenses monk, ceramist and singer for the abbey he lives in, but new obligations arise as the parson of the village is transfered. He finds himself face to face with the complexity of community life and starts to question his identity as a person and man of faith.

A young insurance salesman takes advantage of the fact that a beautiful young woman he is attracted to is under house arrest, so cannot go anywhere to escape him.

After her father's death, Aida returns to her Arbëreshë village and grapples with complicated feelings about her origins.

A long love story, seen through the memories of one young couple. The journey through the years of two individuals, united, divided, happy, unhappy, deeply in love, or in love with others, in a single stream of emotions and shades of feeling. Over the course of the film, he learns that love can indeed last, while she learns to live with nostalgia.

Docudrama about elusive comic book artist Zarcone, who disappeared without a trace after illustrating issue #1 of Diabolik (November 1, 1962).

Italy, September 1943. After the armistice and the flight of the King, the war theaters of the North-East see the advance of Tito's partisans. At the center of the story, in this dramatic historical context, the figure of Norma Cossetto, a young Istrian student, barbarously raped, killed and thrown into a foiba by the Tito partisans.

During a break on a rooftop, Teco, a young baker, notices the intriguing fall of a strange bird. He decides to venture to the next roof to have a closer look. This is only the beginning of a most unbelievable journey on the labyrinthine rooftops of Roma.

The daring journey through Europe of two somewhat naive friends, Salvatore and Felice, fleeing a small town in Puglia, who find themselves catapulted to Rotterdam and then to Iceland. For the first time in their lives they will discover what it means to feel alive and happy. Through some mishap and with the help of the generous and extravagant Anke, they will overcome their fears and inhibitions. They will be overwhelmed by life, discovering the joy of existing and of experiencing and receiving affection and love in a strange triangle of relationships typical of a 'modern family', bizarre and reassuring at the same time.

Mirko and Manolo are best friends and live in the suburbs of Rome. They both live in poor conditions with their single parents, are still in school and struggle with occasional odd jobs to make ends meet. Together they share dreams of women, of sex and money, of a better life to come. Then, after killing a man in a hit-and-run one night, they get involved with the local mafia and their lives change dramatically.

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

A young woman decides to sell her virginity to pay off her mother's debts when she realises that her earnings as an online x-rated model are not enough.

The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.

Portraying the last days in the life of philosopher Walter Benjamin (1892–1940), whose writings such as The Work of Art in the Age of Mechanical Reproduction have become of seminal importance in cultural criticism, Ferraro not only deals with a historical and philosophically fascinating subject, but has also crafted a landscape film of immense beauty.