RAI

Regina, a 15-year-old girl who lost her mother years earlier, dreams of becoming a singer. Her father, Luigi, her only family at that point, firmly believes in his daughter's talent and supports her unceasingly. After all, Luigi had given up his own musical career to be near his daughter. Their relationship seems rock-solid, indissoluble, until one day an unexpected event changes their lives..

Goffredo Fofi does not want to be considered an intellectual but he has spent his life founding magazines, writing books, reviewing movies. The film portrays his tireless political and cultural work, his encounters with famous figures, the extra-parliamentary groups, ideological excesses, discovering new authors and directors. Social work as a political resource. The profile of a heretical intellectual and an extraordinary cultural organizer reveals a very critical view of Italian society, its power mechanisms, and the injustice that leaves a mark on it.

Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.

Based on actual events, this is the story of a young woman who meets the terrorist who murdered her father, a policeman, who died when she was just born.

Milan, Nowadays: Fernando, son of Ugo Piazza, is a brilliant criminal defense lawyer whose mother, Nelly, has done everything in her power to raise him different from his father, a deplorable gangster.

Pino Gambassi is a child suffering from haemophilia and is animated by an unbridled desire for freedom and boundless courage: he decides to start his adventure in the world and to show everyone that he can live his life like a normal kid.

This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.

The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.

Fortuna (6 years old) lives with her mother in an anonymous suburb. She spends her time with two playmates, Nicola and Anna, dreaming of being Nancy, an alien princess chased by giants who want to kidnap her and her friends. After a tragic accident happened to Nicola, an obscure secret surfaces in a struggle between reality and imagination, unveiling a horrible truth. A dark fairy tale, based on a true story.

The past interlaces with the present: the discovery of a mysterious yellowed photograph depicting a little girl will lead Christian and Jewish students to search for the truth. They undertake a journey through the memory of a painful past that is hard to forget, such as the memory of the raid on the Jewish ghetto of Rome.

Lorenzo known as Ghandi and Elena met at 18 during a vacation through Nevada and ended up doing the classic madness: they got married in Las Vegas. A few hours later everyone was going their own way, putting the incident behind them (or at least that's what Elena thinks). Twenty years later Elena is about to marry a very rich and brilliant man, but her best friend Sara, a lawyer, informs her that, being technically still married to Lorenzo, she must first dissolve that bond or she will be accused of bigamy. Elena and Lorenzo must therefore return to Las Vegas and obtain a divorce decree in a few days. If they really want to.

Naples, early 1980s. The strained marriage between Aldo and Vanda is fractured one evening when Aldo admits, unprompted, his infidelity. Equally hurt and bewildered, Vanda attempts to hide her pain from the couple's two school-age kids, lest they discover that their cramped apartment is not a home of trust and love. 30 years later, Aldo and Vanda are still tied together, but their relationship with each other and their children continues to be defined by what happened all those years ago.

Irma (Claudia Gerini), Eugenia (Angela Finocchiaro), Miranda (Caterina Guzzanti) and Rina (Paola Minaccioni) are four different women, each with their own character, their own weaknesses and their own eccentricities, but linked by a deep and lasting knowledge over time, united and marked by their essential card games. When they decide to participate in a national buraco tournament and get out of their everyday life, they will suddenly find themselves with their cards exposed. Life always offers a second chance and love can go back to upsetting at any age. After all, it is the game of burraco that has taught him that a game must be played completely, to the end, and that no result is ever taken for granted.

Documentary follows the life and work of Italian singer and composer Paolo Conte.

Benno and Allegra: he's over fifty, English, and drinks like a fish; she's twenty years younger, a travel blogger with lots of imagination. They both live off their lies and have no intention of stopping now. Next-door neighbors who had never met until the day he wound up on the wrong landing, and nothing would ever be the same. Sheer chance leads this odd couple on a flight towards lost or forgotten places, where their mutual support makes for self-discovery.

After a serious accident Giuseppe is out of work. His son Antò dreams of being an archaeologist and thinks his father's glass eye is a sign he has superpowers. It's just the two of them now, since their beloved wife and mother Angela collapsed and died while working in the fields. Now they've lost their home, too, and have taken shelter in a tent city with other seasonal workers. Through all this, Giuseppe still summons up the strength to hug his son every night and tell him a story. He's promised Antò he will have his mother back, one day, and will do anything to keep his promise.

In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.

It’s Halloween. Camilla stands outside her school. She looks around to find her dad, but her mother Paola is the one waiting for her instead. She takes the little girl to the bakery ad tells her to get whatever she wants: today is a special day. Back home, Paola dresses her up as a zombie. The long-awaited “trick or treat” moment is coming. A hood with two holes for the eyes covers her face. Camilla walks through the streets of her town hand in hand with her mother. However, the woman has a different plan.