SWR

August Staudenmeyer returns after thirty years absence as a wealthy man in his hometown Gerbersau. First, the successful businessman is received with open arms. But when he stands up for the outlawed widow Katharina Entriss, he gets sidelined. August realizes that the narrow-mindedness of the Gerbersauer has by no means changed. Richer for an experience and a love, he leaves home a second time.

On September 15, 2009, the State of Ohio tried to execute Romell Broom and failed. Ohio claims it has a right to try again. This film explores the legal and moral questions surrounding this unique case.

Is 2012 threatening the end of the world? Are unforeseen disasters coming? Do ancient prophecies come true? Are the earthquakes, hurricanes, financial crises, uprisings and wars of our day the heralds of the end?

The nine-year-old Nikolas has been missing for days. The criminal psychologist Claudia Meinert notices contradictions in her conversation with the parents of the missing child. In particular Nikolas' mother appears to be hiding something. When a video of the missing Nikolas surfaces, showing him tied up in a cellar, the trail leads to his school. The 13-year-old Leon and Mathilda strike the psychologist as conspicuous and provocative. Shortly afterwards, Meinert encounters the children with Nikolas' parents at the local swimming pool and her suspicions are confirmed: the parents are entangled in an insidious father-mother-child game with the possible suspects Leon and Mathilda. Now it is up to the psychologist to resolve the dark mystery of Nikolas' disappearance and save the child.

Anna, an attractive woman of 40 years, lives with her husband Johann and his small daughter. Both have managed to succeed economically and lead a helpless life. Suddenly appears a dark character, associated with the underworld, who begins to blackmail Anna, threatening to reveal his past.

In 1914 on a family estate, Oda helps a wounded anarchist, and as their illicit friendship deepens, a family turmoil erupts as the war closes in.

A documentary directed by Oliver Schwehm.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Handsome Albanian villager Arben wants to marry Etleva, daughter of a neighboring clan, but her father has promised her to another man who is offering a 10,000€ bride price. But when it turns out Etleva is carrying Arben's child, the pressure is on for him to come up with the dowry before the baby is born -- and before her brothers take revenge for the dishonor he has brought their family. Fleeing to Berlin without papers, experience or knowledge of the language, Arben soon learns the ways of survival.

A documentary about the making of the final version of "Metropolis" by restoring all material from different sources.

Billy Kuckuck is used to taking unpopular measures. But she is not used to switching off her mind in the process. For this reason, the assignment to collect the debt on a personal loan from the family of a recently deceased farmer leaves her anything but cold. The lender is Mr. Röschke, neighbor of the organic farm and also a farmer. His rigorous demand for repayment threatens to drive farmer Tanja Pohlmann to complete ruin. After the death of her husband, who had taken out the loan without consulting her, the mother is already at the end of her tether and no longer able to run the property. Her son Niklas sacrificially takes care of all the daily chores on the farm. In doing so, he neglects school and jeopardizes his A-levels. And nine-year-old Sophie feels obliged to stand in for her mother in the farm store instead of going to school. Of course, Billy is not indifferent to the fate of the organic farm. She is determined to help the Pohlmann family, but where can she start?